New Int'l. Release
The Love of Siam
Rak Hang Siam (Thailand)
A Sahamongkolfilm Intl. presentation of a
Baa-Ram-Ewe production. (International sales: Sahamongkolfilm, Bangkok.) Produced by
Prachya Pinkaew,
Sukanya Vongsthapat. Executive producer,
Somsak Techaratanaprasert. Directed, written by Matthew
Chookiat Sakveerakul.
With: Sinja Plengpanich, Songsit Roongnophakunsri, Chemarn Boonyasak, Pimpan Buranapim, Mario Maurer, Witwisit Hiranyawongkul.
Homosexual romance and family grief are entangled to mildly
appealing effect in the sprawling yuletide meller "The Love of Siam."
Courting gay auds and straight friends, progressive Thai drama garnered
impressive B.O. in pre-Christmas weeks, making it a huge local success
despite its budgetary and narrative limitations. Outside Thailand, the
film may surface on the gay fest circuit and, with the right
environment, in young-adult sidebars.
After a 20-minute prologue
introducing prepubescent versions of its youthful protags, yarn moves
to present-day Bangkok, where teenage Mew (Witwisit Hiranyawongkul) is
lead singer and songwriter for a Thai boyband called August. On the
cusp of great success, Mew re-encounters long-lost buddy Tong (Mario
Maurer).
While both are having difficulty relating to their
adoring girlfriends (or g.f. wannabes), both lads inwardly have no
doubt about their feelings for each other. Much of pic's success in
Thailand was attributed to its gay theme, and the working out of true
love between the two boys, despite societal and familial pressures,
takes up a substantial amount of the running time.
Given equal
emphasis, however, is the long-ago disappearance of Tong's older sister
Tang (Chemarn Boonyasak), depicted in the pic's prologue, and its
devastating toll on Tong's family, especially his now-alcoholic father
Korn (Songsit Roongnophakunsri). Compounding the family's collective
grief are Korn's periodic, booze-inspired delusions about his
daughter's imminent return home.
While attending one of August's
recording sessions, Tong meets the band's personal assistant June (also
Chemarn Boonyasak). Since June is a dead ringer for his missing sister,
Tong decides to hire her to impersonate his deceased sister and soothe
his drunken father's troubled soul. Western auds will have some trouble
accepting that mom goes for the plan (in a comedy, maybe), and the
narrative briefly flirts with the idea that supernatural elements may
be at work before adhering strictly to meller conventions.
Writer-helmer Matthew Chookiat Sakveerakul ("13 Beloved")
also co-edited and even composed some of the boy-band songs, so his
emotional engagement with the material is unquestionable. However, his
passion transcends his directing ability, and pic could benefit from a
trim for Western auds. Perfs, particularly by youthful amateur thesps,
could have used a firmer hand.
Art direction is pro, but the
sound is unfortunately reminiscent of the unfiltered recording style
favored by Southeast's Asia's digital revolution. In contrast, the
songs are mixed par excellence.
Title refers to the fact that
much of pic's teen-romance action transpires around the Siam Square
shopping district of contempo Bangkok.
Camera (color), Chitti Urnorakankij; editor, Sakveerakul,